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Martin said Marvel is not a film

2022-09-29 03:24:00

Hugo is a love letter written by Martin Scorsese to the film. After reading it, you will understand why Martin said Marvel is not a film.



Because Marvel has not made much innovation and progress in film language and film technology, it has led to the film becoming a tool in the industry chain that only focuses on making money.



Hugo introduces the early film pioneer George Merrylove from the perspective of a child. He is the first director in the world in a real sense, making the film no longer a fad, but a lasting art.







When it comes to the process of film change, we must talk about the early film history.



The movie projector was invented by Edison, but the video camera at that time could only be watched by one person, which was similar to a riding lantern. In addition, Edison had a monopoly on the video camera. At that time, the movie was a private enjoyment, not a public pastime.



After that, the Lumiere brothers in France improved the video machine, making it more than one person to watch. From then on, the film was completely seen by the public. In 1895, the screening of "The Train Arrives at the Station" announced the official birth of the film.





Among the first audiences of "The Train Arrives at the Station" was George Merrilove.



He was shocked by the visual impact of the train rushing out of the screen. Determined to make a movie, he bought a video camera from the Lumiere brothers, but they refused George's request.



They think that the technology of film has no future. It is just something that can satisfy the curiosity and will eventually be thrown into the trash.



Because the Lumiere brothers made a series of films with only one shot at that time, they made little progress in exploring stories, editing and other aspects.





However, George did not think so. He bought a projector and began to transform it, so he had a more advanced projector.



Then he set about shooting a film, invented some film techniques such as stop shooting, second exposure, fast shot, slow shot, etc., which also made early editing appear in the film.



Since then, the film has become an art. George began to imitate the Lumiere brothers, and then he made his own innovation. This made us see the first science fiction film in the world, "A Journey to the Moon".



However, with the outbreak of the war, the development of film techniques, and George's own mismanagement and complacency, his film road came to an end.





At that time, Edwin Bauer's "The Great Train Robbery" was released, and the first western film in film history appeared.



The design of the cowboy shooting at the screen at the end of the film to break the fourth wall of the film shocked the audience at that time. It is said that someone was shooting at the screen with a gun.



This exploration of film techniques has broken the structure of George Merrie's dramatic films, and made films have unlimited possibilities, no longer limited to the stage, and permanent panoramic shots.









In the following 20 years, various kinds of films emerged in endlessly.



Harold's Safety to the Bottom, Chaplin's The Story of Finding a Son and Meeting an Immortal, and Buster Keaton's The General's Horn.



Sergei Eisenstein's "The Battleship Potemkin" and Maunau's "Northphalatu" both promote the progress of films.





Under the impact of such films, George's films are no longer popular.



At that time, he was desperate for the film and unwilling to keep pace with the times, so he was gradually abandoned by the audience.



Losing confidence in films, he sold his own film company and all film films, and set up a toy stand at the railway station with the money he got.





Fortunately, the filmmaker discovered his innovation in the art of film.



In his old age, he saw the recognition of others, which was the most gratifying thing for this film pioneer, so he could not leave with regret.



Some of his unburned film films have also been restored and preserved, so that he can meet us a hundred years later and see the charm of the past films.





What Hugo wants to express is this love for the film.



But if it is not a movie fan, the viewing process of Hugo will be a little boring. The story is too simple to understand empathy, and the mystery plot in the film is even more difficult to resonate.



This is the biggest obstacle for ordinary audiences to watch Hugo. Before watching this film, you must first understand the history of the film. With the threshold of viewing, it is reasonable that Hugo's rating is not high.



Because ordinary audiences do not know the history of films, and there is no need to know the history of films, they will not understand the salute of Hugo, let alone the sadness of Sunset Boulevard.





Sound films have eliminated silent films, color films have replaced black and white films, and the emergence of new things will always be accompanied by old people crying.



People used to sigh, but the past has become a mark of the times. It will only become a symbol, which is difficult to be popular again. It will only be prompted occasionally in memory, but film forms like silent films and black and white films will certainly not reappear.









In 1927, the world's first sound film Jazz Singer appeared, 95 years ago.



In 1935, the world's first color film, "The World of Luxury", was born, 87 years ago. In 1941, the non-linear narrative "Citizen Kane" revolutionized the film, 81 years ago.





But after 80 or 90 years, the film has not made much progress.



When is the next new wave? What is the future of film?



Before new things appeared, maybe the current film was Norma's crazy performance at the end of the film and Max's tears in the corner of his eyes.





The crying of Norma and Max is also Billy Wilder's feeling.



With the innovation of George Merrill, Ed Winbaut, David Griffith, Sergey Eisenstein and other masters, film has changed from image to art, and also promoted the development of Hollywood.







The 1920s and 1930s were the most brilliant period of silent films, during which Hollywood masters frequently appeared.



Charlie Chaplin made Modern Times, City Lights and other films, and Buster Keaton made Holmes II.



These films, which combine art and story, ushered in the golden age of Hollywood. The birthplace of films was in France, but the heyday of films returned to the United States.





Although the mode of Hollywood films in that era was relatively fixed, many masterpieces were also produced.



Western movies include John Ford, suspense movies include Hitchcock, romance movies include William Wheeler, and Billy Wilder. They have created an era.



At the same time, they also presented Marilyn Monroe, Vivien Leigh, Audrey Hepburn, James Stewart and other superstars, as well as classic films such as Gone with the Wind, Roman Holiday and Crossing the Mountain.





However, with the advent of television, films have been hit hard, and major studios have shrunk in order to make profits.



Although Sunset Boulevard was shot in 1950, its regret for the past also foreshadows the future of Hollywood, and one of the reasons why this future has become confusing is television and great changes.





In the 1960s, due to the influence of the French New Wave, German Expressionism and Italian New Realism, the American mainland also ushered in a new wave of film.



"Male and Female Thieves", "Graduates" and "Happy Knights" promoted this wave, and then the film boys followed up. The golden age of Hollywood was overturned and entered the new Hollywood era.





Only in the 1980s, due to the box office failure of "Paradise Gate", the film company took back the leading power.


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After the end of the Sina tide in the United States, independent films and special effects blockbusters have sprung up, and Star Wars, Jurassic Park, and vulgar novels have created a new Hollywood.





However, after entering the new century, Cameron is probably the only one who can be called a master in Hollywood.



His films have promoted the upgrading and transformation of the film industry, while other films are just repeated in Chaoying, sequels and IP. Where is the spring of film?

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